Èv van Hettmer: Unterschied zwischen den Versionen
Zur Navigation springen
Zur Suche springen
→Rezeption: Test, geht um Links...
K (→Weblinks: Links zu Website und Saatchi) |
(→Rezeption: Test, geht um Links...) |
||
| Zeile 23: | Zeile 23: | ||
|Text=“Èv van Hettmer makes painting her weapon and shield in the fight against chauvinism and gender determinism. Repeating motifs classically associated with femininity, she spins them back at the viewer with a vengeance, cool edge, and Medusa’s laughter. Pink, red, and purple colours flash up, full bodied vases casually claim their space at the center of canvasses that wear their heart on their skin with confrontational texts written all over them. They send their message back to all who keep perpetrating violence by passing harsh judgements on art as a thin disguise for abusively judging people who refuse to submit to binary norms and obsolete gender roles.” | |Text=“Èv van Hettmer makes painting her weapon and shield in the fight against chauvinism and gender determinism. Repeating motifs classically associated with femininity, she spins them back at the viewer with a vengeance, cool edge, and Medusa’s laughter. Pink, red, and purple colours flash up, full bodied vases casually claim their space at the center of canvasses that wear their heart on their skin with confrontational texts written all over them. They send their message back to all who keep perpetrating violence by passing harsh judgements on art as a thin disguise for abusively judging people who refuse to submit to binary norms and obsolete gender roles.” | ||
|Autor=Jurymitglied Oskar Cepan Award 2021 | |Autor=Jurymitglied Oskar Cepan Award 2021 | ||
|Quelle= | |Quelle=www.oskarcepan.sk/en/application/249 | ||
|ref=<ref>Website Oskar Cepan Award<ref> | |||
}} | }} | ||